[A: Phone]
[The laughter on the phone is a desperate sounding noise, the kind of laugh that someone has when hope has been crushed so completely all they can do is laugh at themselves and how stupid they were to think that escape was possible.]
So that's it, then. We're all just a copied file in someone else's game simulator. It's funny, almost ironic in some ways, but that's it then. There's no way out, we'll die here, and that's...
[The laughter almost sounds like Mika's crying, but she isn't. Not yet.]
Captain Rogers, looks like I can't go back with you after all. Thanks for the offer, it...it really meant a lot to me that you asked at all.
I'm sorry.
[She's choking up, there's so much she wanted to say, so many people she had something important to tell, but she's struggling just to hold the phone to her ear.]
I'm so sorry everyone. I can't--I can't hold her off anymore. I'm so, so sorry.
Run.
[B. 339 Brady Lane]
[Mika's struggling to stop it, but she's not strong enough to stop the way her body's been reprogrammed without her consent. Her lead pipe's in her hand, and a sheathed carving knife is tucked into her belt. She hunts down scents faster than a bloodhound, but the look on her face is nothing short of terrified.]
Quinn, Raz, GET OUT OF THE HOUSE. RUN! Oh my God I'm so sorry, I'm so, so sorry! Please, run!
[C. The Streets]
[She's walking down the center of the street, her pipe held in an unwavering grip even though her teeth are clenched and her tears have left filthy smudges on her cheeks. Her clothes are already stained, either from the blood of other captives or from drones, or even herself.
But Mika is hunting and she won't be allowed to stop until everyone else is dead. Or Johnson gets bored of her latest experiment.]
[The laughter on the phone is a desperate sounding noise, the kind of laugh that someone has when hope has been crushed so completely all they can do is laugh at themselves and how stupid they were to think that escape was possible.]
So that's it, then. We're all just a copied file in someone else's game simulator. It's funny, almost ironic in some ways, but that's it then. There's no way out, we'll die here, and that's...
[The laughter almost sounds like Mika's crying, but she isn't. Not yet.]
Captain Rogers, looks like I can't go back with you after all. Thanks for the offer, it...it really meant a lot to me that you asked at all.
I'm sorry.
[She's choking up, there's so much she wanted to say, so many people she had something important to tell, but she's struggling just to hold the phone to her ear.]
I'm so sorry everyone. I can't--I can't hold her off anymore. I'm so, so sorry.
Run.
[B. 339 Brady Lane]
[Mika's struggling to stop it, but she's not strong enough to stop the way her body's been reprogrammed without her consent. Her lead pipe's in her hand, and a sheathed carving knife is tucked into her belt. She hunts down scents faster than a bloodhound, but the look on her face is nothing short of terrified.]
Quinn, Raz, GET OUT OF THE HOUSE. RUN! Oh my God I'm so sorry, I'm so, so sorry! Please, run!
[C. The Streets]
[She's walking down the center of the street, her pipe held in an unwavering grip even though her teeth are clenched and her tears have left filthy smudges on her cheeks. Her clothes are already stained, either from the blood of other captives or from drones, or even herself.
But Mika is hunting and she won't be allowed to stop until everyone else is dead. Or Johnson gets bored of her latest experiment.]
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