Zevran Arainai
30 October 2012 @ 12:21 am
Woke up somewhere that I've never been  
[When Zevran wakes up, it's to the worst existential headache of his life.

Perhaps it's a combination of his memories of his previous time in Mayfield rushing back now that he's returned to the town having a head-on collision with false memories the town is trying to implant, but the simultaneous dump into his brain leaves him so disoriented that for a moment he has trouble enough figuring out who he is, to say nothing of where and why and in what state. This beats any hangover he's ever had, and Antivan brandy has gifted him some extremely potent ones.

He finally half-climbs, half-staggers out of bed, holding his head and looking instinctively for Olivier - but there's no sign of her. He doesn't give this fact any immediate consideration, but instead heads for the bedroom door, ignoring the fact that he's not really dressed in the conventional sense of the word. Or at all.

He's passing a picture on the wall when he stops, shooting it a sharp look - and yes, that family isn't his. Well, technically, Olivier and his various 'children' hadn't been his, either(or so says one half of his still-swimming head), but this family isn't familiar. And after a few moments, Zevran realizes the house isn't familiar, either. He's been moved.

It's tough coming to these conclusions when half of his mind is insisting this is all perfectly normal, that he's always lived here, that he should go put some pants on before his son (???) sees him...it's like listening to two radio stations at once. But Zevran's assassin instincts, honed over a lifetime, give extra weight to the voice in his head insisting that something is wrong, just in case it happens to be true.

His feet make a beeline for the phone, even as he tries to stifle the voice that wants him to accept everything as perfectly fine; how can everything be normal when he's of two minds and they're both trying to shout down the other half? That argument seems to bring him some brief mental clarity - perhaps because there's no easy answer to that question - and when he picks up the handset and begins speaking into it, he merely sounds bewildered.]
I am...quite confused. I don't believe this is the house I was once living in, and - I cannot imagine why I was moved. Or when. Have I been gone? Olivier, are you there? [Then, with a shadow of his usual humor - ] If you are, what terribly unlucky man awoke beside you? Does he live still?
 
 
Schuldig
30 October 2012 @ 12:45 am
I know I've been gone a long time (Backdated, pre-event)  
But I'm back and I want what is mine )

[462 Stone Street]

[A beautiful Mayfield morning is being shivered into a thousand pieces by the roar of a sports car that quite clearly gives exactly zero fucks about being quiet or, indeed, obeying any speed limits. (If you happen to be walking along or crossing the road, the driver isn't going to take any particular care not to hit you, either.) Schuldig considers pulling into the driveway crooked, or even parking on the grass, purely to further defy the orderly neatness of Mayfield...well, no, not purely. Also partially to simply give the world both fingers at once, as high as he can raise them. But in the end, he merely settles for parking in such a way that he entirely blocks off Edward's car.

He deliberately blares the horn once before he unfolds his lanky form from behind the wheel and gets out, already smirking. His intended aim is to let Ema and Edward know that he's back and steal whatever coffee Ema's doubtless made her new husband, but he's also succeeded in letting quite a large portion of the hearing population of Mayfield know he's back, too.

It's good to be an asshole.]