Balin Wilbur (
walking_nuke) wrote in
mayfield_rpg2012-04-13 06:34 pm
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DEPLOYMENT 15: Be the Other Walking Nuke
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[... Until he realizes that his grumble sounds rather bird-like.]
[And his field of vision is ... considerably wider than normal.]
[He raises up, and cranes his head around to discover that ... he's covered in feathers. Black, iridescent feathers—]
AWK!
[Were he still in his human body, Balin might have lept out of bed and reached for his sidearm ... but he's no longer Balin Wilbur. He's now Utsuho Reiuji—and considering this is the man-eating town-burning youkai he'd fought with not long ago, he's taking this predicament far worse than he might have if he were swapped with someone else.]
[So instead, the hell raven that has been spending most of the past few weeks sleeping peacefully in that box, courtesy of Virginia, is now having a night fright. It squawks in distress, its wings flap haphazardly as it tries to escape the box, crashing into one thing or another. The real Utsuho has had a lot of practice shifting between her raven and humanoid youkai forms, so much so that it doesn't require much thought to trigger the switch. Balin's panicky thoughts of wondering what happened to his human body are enough to trigger the transformation—which, for someone who never wanted to be a Polymorphing Spy, is a highly uncomfortable and horrifying sensation.]
What—WHAT THE HELL IS GOING ON?!
[That yell is loud enough to be heard throughout the house, easily.]
[Sometimes you might see "Utsuho" looking down at "her" chest and muttering or even angrily talking out loud. Like "she's" arguing with someone.]
Hey! I'm not a mutt! What's the big idea—
["Utsuho" just tried to enter a store and got pushed out by a drone armed with a broom. With one last shove, "she" stumbles out the door. As the drone slams the door shut, "Utsuho" turns around to look back at the store with "her" hands on "her" hips.]
—Dammit, every store is doing this to me!
[Ah, the joys of finding out Mayfield considers you a "pet."]
[Flying with wings is a learned skill, though, even for birds—and having never been a bird before, Balin is clumsily trying to imitate what he's seen the real Utsuho and other, normal birds do with their wings. Instead, "Utsuho" ends up flailing "her" wings much like a Killdeer faking a broken wing. Sometimes "she's" lucky with a jump and gets airborne for a few seconds, "her" wings fluttering spastically before "she" falls back down. And "she's" not too graceful about that, either.]
[Up at Makeout Point, "Utsuho" is armed with "her" control rod, and judging from the light show and miniature suns over there, "she's" practicing with "her" powers. Yet unlike her murderous rampage back in March, "she" seems to be taking to aim up at the sky, away from Mayfield. "She's" even trying to avoid setting any trees on fire.]
[But it doesn't look like "she" has a good handle on it, because there are stray fireballs every once in a while.]
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[...what, bitter? Oh no of course not. That pitch shift is entirely in your head--oh wait.]
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... How did you die? Did she kill you and then eat you? Or did she like ... swallow you alive?
[Never mind the latter's not what "she's" been told, but "she's" seen the real Utsuho at work. It's scary.]
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NOW...NOW I REMAIN. I CANNOT COMMEND MYSELF TO OBLIVION, NOR CAN I ESCAPE.
YOU, MY HOST, ARE MY PRISON.
[The last was almost spat out, with the words hissing like molten earth.]
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Yeah, well, that makes two of us. I don't exactly wanna be in the broad's body, either!
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RARE IS THE MORTAL WHO DOES NOT DESIRE MY POWER. DO NOT THINK YOU ARE SO DISSIMILAR.
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[The irony of saying this while being inside Utsuho's body is not lost on Balin.]
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THEN YOU ALREADY KNOW ME. YOU JUST DO NOT KNOW IT, MORTAL.
WHAT YOU DO WITH SUCH POWER IS NOT MY CONCERN. THE DEAD DO NOT HAVE SUCH DESIRES.
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[A beat.]
Are you telling me it was all Utsuho's idea to try and melt the planet back where you two're from? And when she tried razing this town last month?
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I CANNOT DICTATE WHAT MY HOST'S ACTIONS WILL BE. ONE EITHER CHOOSES TO ACCEPT MY WISDOM, OR THEY DO NOT.
[...questionable though that wisdom may be.]
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["Utsuho" flaps her wings indignantly.]
Okay, answer me this. Did Utsuho buy into your wisdom when she went on her rampage?
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[Sorry were you expecting a straight answer?]
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Oh for—[Facepalm!]—ugh. Okay, then, what pieces of advice did she follow?
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FIRE BURN DESTROY ALL IS ASH BEFORE YOU ALL IS ASH BEHIND YOU WEAKLINGS WEAKLINGS
[And on and on and on it continues.]
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ALRIGHT! ALRIGHT ALREADY! I GET THE POINT! SHUT THE FUCK UP!
["Utsuho" would be busy being horrified at the thought of having to deal with this every waking moment, but "she" can't even hear "herself" think!]
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It loses cohesion after a few moments--a few very, very, very long moments--but it remains just as loud. Instead of words, there is only a growling static.]
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Fuck this!
["Utsuho" folds her wings behind her back as "she" stands up and, as hasty as "she" can manage, heads out of the master bedroom and down to the basement. "She's" having a bit of a hard time walking right, though, because what are hips. And wings. Even furled as they are, they're like carrying a backpack, only adding to the balance problems Balin's having in Okuu's body.]
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YOU DID ASK.
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I did! And I got the point very quickly!
[At least now "Utsuho" knows where the real nukebird got her genocidal tendencies.]
What is it she didn't listen to?!
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[The background noise behind the voice is already growing and swelling as if in anticipation.]
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... Yeah. I do.
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And interspersed with pictures.
Of the cavernous roof of hell collapsing in--to reveal the sky above, and the sun rising forth from the flames into it. Of what looked like ravens, hundreds, thousands of them, chasing the sun, blackness like soot falling away from their plumage to reveal brilliant, colorful, iridescent feathers. Of broken structures, the human inhabitants long since gone and cats wandering the streets.
All like a nuclear blast had swept much of the world clean again. To begin again.
If only there wasn't so much interfering static in the way--interrupting the images, garbling whatever narration may have gone with it, until the entire thing dissolves into nothing.]
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[But "she's" still mortified by what "she's" seeing.]
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AND NOW IT'S MY TURN
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