Dr Nathan Wallace (
keen_incisions) wrote in
mayfield_rpg2012-02-11 02:00 pm
Entry tags:
[ oo1 - a cold and broken hallelujah ]
[ 432 Peepers Street | Morning ]
[Shilo, you're the world to me.
His vision swam in a sea of black and red, his daughter's face a pale moon in the spotlight's gleam. Nothing seemed to hurt anymore, his wounds unimportant and superficial, his crushing guilt abating as the night's opera drew to a close. Marni was calling to him, lifting a lamp in the darkness to light his way home. He closed his eyes...
...and then Nathan Wallace woke up. The early morning sun is bright, cheerfully warm on his face. Someone is beside him, a sensation he hasn't felt in so many years. The woman is unrecognizable, her fair hair in tight pin curls, her sleep as sound as death.
He's not sure precisely how he made it outside, but he's standing on the front stoop in his pajamas blinking in the light, the steps cold on his bare feet. Pushing glasses that aren't his up his nose, Nathan stares at the cookie-cutter houses around him, at the white picket fences and the still, postcard-like quality of the scene. He sags back against the front door, nudging the metal basket of fresh milk beside it with his ankle.
He died. He died, he knows it. Is this the afterlife, some form of Heaven distilled into the shape of 1950's quaint perfection?
Or is it Hell?]
[ Phone ]
[Residents familiar with a certain Watcher might recognize the voice on the other line, though it's absent its customary dulcet accent, Midwestern American replacing Giles' upper-middle class British. Nathan is hurried, anxious.]
Is there anyone out there who knows what's going on? What is Mayfield?
[Shilo, you're the world to me.
His vision swam in a sea of black and red, his daughter's face a pale moon in the spotlight's gleam. Nothing seemed to hurt anymore, his wounds unimportant and superficial, his crushing guilt abating as the night's opera drew to a close. Marni was calling to him, lifting a lamp in the darkness to light his way home. He closed his eyes...
...and then Nathan Wallace woke up. The early morning sun is bright, cheerfully warm on his face. Someone is beside him, a sensation he hasn't felt in so many years. The woman is unrecognizable, her fair hair in tight pin curls, her sleep as sound as death.
He's not sure precisely how he made it outside, but he's standing on the front stoop in his pajamas blinking in the light, the steps cold on his bare feet. Pushing glasses that aren't his up his nose, Nathan stares at the cookie-cutter houses around him, at the white picket fences and the still, postcard-like quality of the scene. He sags back against the front door, nudging the metal basket of fresh milk beside it with his ankle.
He died. He died, he knows it. Is this the afterlife, some form of Heaven distilled into the shape of 1950's quaint perfection?
Or is it Hell?]
[ Phone ]
[Residents familiar with a certain Watcher might recognize the voice on the other line, though it's absent its customary dulcet accent, Midwestern American replacing Giles' upper-middle class British. Nathan is hurried, anxious.]
Is there anyone out there who knows what's going on? What is Mayfield?

[phone]
[phone]
[phone]
[phone]
I wasn't here before.
Re: [phone]
[phone]
Re: [phone]
[phone]
Re: [phone]
[phone]
no subject
That voice on the other side, though. Is Giles making fun of him for being a drone yesterday? No, that can't be right.]
Mayfield? It's... Well it's Mayfield. I'm afraid you're trapped here like the rest of us, mate.
no subject
no subject
no subject
[Oh Marni Marni Marni, where are you?]
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Phone
Phone
[Just make this man's day brighter, why don't you...]
Phone
Phone
[Yes, this has to be Hell. And there's no one less deserving of Hell than Nathan. brb, face.in.hands.]
Phone
Phone
Phone
(no subject)
(no subject)
Phone;
Mister Giles? Are you alright?
Phone;
Who? Who is this?
phone
Surely he heard wrong, but-- ]
I, I'm sorry, who is this?
phone
Nathan. Nathan Wallace. Who are you?
phone
[ No, he's certainly not imagining it. The name is entirely unfamiliar, he's -- mostly -- sure of that, but it's...
It's like listening to himself attempt an American accent.
Is this Mayfield's latest attempt to drive him mad? ]
phone
The silence is awkward, filling the void left behind his note of affirmation. It's a tactic he's used in his favor before, a dare, waiting for the other man to proceed.
...there's also the fact that he knows fuckall what to say. Nathan is no closer to understanding what this town is, only that it's a place that they can't leave and that those in charge are conspiring to keep them all there for some unknown reason. It isn't good enough. Giles can probably hear Nathan's suspicion over the line.]
phone
phone
phone
phone;
However, I've heard of...people being drones. Are you living with anyone that isn't well...creepy? Or at least self aware?
phone;
phone;
They're...not your real family, no. They're what's known as drones; I understand that it's something Mayfield does in order for you to...'fit in'?
I'm so sorry that it's like that for you. But when new people arrive, they'll likely come to your...residence.
You don't have to like them, but at least they won't pretend everything is wonderful and lie to you.
Or at least, not about that.
phone;
How do you know this?
phone;
phone;
phone;
phone