Margot Sullivan [OC] (
allwehad) wrote in
mayfield_rpg2012-11-28 04:27 am
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[Phone]
[Look. Margot is really bad with existential crises. They're all still here and that's all that matters to her.
She places this phone call not long after getting to stew on the one Mrs. Johnson put out. There is a layer of barely contained anger and annoyance hidden in the neat, clipped tone she's trying to keep.]
So what if we're copies of ourselves? Take comfort in the fact that your original self -- your real self -- is safely at home, doing what you've been doing all along.
And if this illusion is to be our reality now, if there really is no way back for us, then there's no fucking way I'm going to continue to be a plaything -- an experiment -- for the time we have left here. This is home, this is ours, and fuck Zemekis and fuck this Mrs. Johnson who thinks she can toy with us now.
So snap the fuck out of it and don't make everything you've gone through already be in vain. Fight. Keep fighting and never give up.
[This is all, of course, easier said than done, but Margot feels better now that she's voiced her thoughts. She's at home. She really is. The reality back there may be pretty bad too, but she's still there and nothing can change that.
The torment, the dying... Knowing that softens the blow.]
[Action]
[And since that message was so freaking ominous, Margot will be out to check up on her people and can be found all around the town. If she knows you, expect her at your door.]
((ooc: Either voice/action can be set before or during the event! Whichever you would prefer, I do not mind either way as Margot will not be a murder machine during it. Other murder machines welcome for hideous shenanigans. <3))
[Look. Margot is really bad with existential crises. They're all still here and that's all that matters to her.
She places this phone call not long after getting to stew on the one Mrs. Johnson put out. There is a layer of barely contained anger and annoyance hidden in the neat, clipped tone she's trying to keep.]
So what if we're copies of ourselves? Take comfort in the fact that your original self -- your real self -- is safely at home, doing what you've been doing all along.
And if this illusion is to be our reality now, if there really is no way back for us, then there's no fucking way I'm going to continue to be a plaything -- an experiment -- for the time we have left here. This is home, this is ours, and fuck Zemekis and fuck this Mrs. Johnson who thinks she can toy with us now.
So snap the fuck out of it and don't make everything you've gone through already be in vain. Fight. Keep fighting and never give up.
[This is all, of course, easier said than done, but Margot feels better now that she's voiced her thoughts. She's at home. She really is. The reality back there may be pretty bad too, but she's still there and nothing can change that.
The torment, the dying... Knowing that softens the blow.]
[Action]
[And since that message was so freaking ominous, Margot will be out to check up on her people and can be found all around the town. If she knows you, expect her at your door.]
((ooc: Either voice/action can be set before or during the event! Whichever you would prefer, I do not mind either way as Margot will not be a murder machine during it. Other murder machines welcome for hideous shenanigans. <3))
[Action]
He's surprised to see her, though. Or see anyone he knows still alive and in relatively good shape.]
Margot... How are you?
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Margot doesn't say anything, instead placing both hands on his shoulders before pulling him into a tight hug. It's a simple gesture and with it she's trying to convey that he's real, they're both real and here, and he's not alone. They can do this.]
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You want to talk about it?
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someday i'll stop doing that
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I have a good head on my shoulders, unlike some people.
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[ He hangs up, trying not to smash the receiver with his strength, annoyed beyond measure, but he's used to mortals not understanding things at this point, even if it still rankles. ]
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[action]
Mika wrenches it open, her pipe gripped tightly in one bloodied hand, the house is strangely quiet behind her and the front room that can be seen around her looks like a hurricane hit. Smashed furniture is splintered everywhere, and Mika's hold on the doorknob is so tense her arm is shaking.]
Margot. You need to go. You've got to run.
[The pipe trembles, and she draws blood as she bites her lip.]
I can't hold it for long, please go.
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Alarm bells go off immediately and she takes a step back away from the door, but doesn't flee. Something is definitely wrong and if Mika needs help, there's no way she's going to leave the other woman there alone.
Margot's eye flicks from her to the pipe, keeping watch on the weapon.]
Mika... What's going on?
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[She looks terrified, tears welling up in her eyes as her arm lifts the pipe higher, the whole thing trembles like something's trying to hold it back.]
Please go.
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There could still be people in that house, people that need help, but the last thing she wants to do is hurt Mika.]
Look, Mika. Just keep fighting it, okay? Don't give into that bitch. This isn't your fault, none of this is your fault...
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[But it's obvious that Mika's exhausted, the shadows around her eyes are deeper and her face seems more gaunt than usual. The pipe is raised like a bat as she stumbles out the door, begging Margot to just run and leave her behind.
Quick before Mika can't stop herself from chasing her.]
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Mika. Fight. You have to keep fighting her, you can't give in.
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[It looks like she's in physical pain from holding herself back, her emaciated frame tensing from the strain of it. That still isn't enough to stop her advance, it only seems to make her body more determined to get to Margot.]
Just run, Margot! Go!
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[With a hand extended, she darts forward to grab at either Mika's wrist or the pipe, whatever she can get. If it connects, the electricity coming off her hand is set enough to stun, Margot hoping to buy time to get inside and make sure the other residents of the house are okay.]